偶比較奇怪的是…
「哈利波特：神秘的魔法石」竟然也可以入圍三項…
尤其是「最佳藝術指導」這項…
嗯…抱歉…本人“藝術”欣賞能力欠佳…

「最佳動畫片」…
基本上就是“怪獸”與“妖怪”之爭吧？
好難抉擇喔…兩部都粉好看呢！！

還有「最佳電影歌曲」…
沒有紅磨紡…

紅磨坊....真強

紅磨坊的主題曲替電影加分不少，賺人熱淚，

竟然沒有入圍，殘念......

大概都用現代流行音樂,比較不被青睞吧

昨天看衛視西片台的提名典禮D-Live
Channel V銀幕空間的主持人說:
因為Come What May曾經在巴茲導的[羅密歐與茱麗葉]裡面出現過
因此在[紅磨坊]裡面使用已經不算是"原創"主題曲了!
不符合入圍最佳原創電影主題曲的資格
所以就被犧牲掉了
夠玄吧!
提名典禮特別節目裡面為了"悼念"該曲無法入圍還特別播放re-mix版的Come What May呢!
設想得可真周到!

扯個題外話
不知道有沒有人仔細看過最佳動畫短片入圍名單
裡面有個叫做[For the Birds]的影片
這部就是各位在[怪獸電力公司]放映之前所看到的三分鐘[鳥，鳥，鳥]短片
皮克斯這次可說是雙喜臨門
因為[怪電]也入圍了新開設的最佳動畫長片

With all the acclaimed warbling in Baz Luhrmann's ''Moulin Rouge,'' the film would seem a shoo-in for a Best Song nod at the Oscar ceremony in March. So how come members of the Academy of Motion Pictures Arts and Sciences won't find the film's one original tune, ''Come What May,'' on their 2001 ballots?

The duet, written by David Baerwald -- whose credits include cowriting songs recorded by Sheryl Crow (''All I Wanna Do,'' ''Leaving Las Vegas'') and Luciano Pavarotti (''Run Baby Run'') -- was initially intended for another Luhrmann film, 1996's ''William Shakespeare's Romeo + Juliet.'' Though it didn't make that movie, its secondhand status bumps it from this year's competition. ''The song has to be original to the film. That's a slam-dunk,'' states Academy spokesperson John Pavlik, who adds that ''Moulin Rouge'''s studio, 20th Century Fox, never pushed the Academy to consider ''Come What May'' for Oscar consideration.

''I don't blame the Oscars because it's just a technical thing,'' says Luhrmann of his unlucky break. ''But it is sad. I think there's a sense of apology about the decision, because Oscar representatives had been talking about how much they wanted Ewan [McGregor] and Nicole [Kidman] singing on the show.'' As for the stars, the director says they had both expressed interest in performing the duet.

Though he's resigned to the decision, Luhrmann hopes the Academy will consider revising the rule in the future. ''It's based on a recent notion of music being used in the background or as part of a credit roll,'' he says of the rule. Well, not exactly. According to the Academy, the rule demanding that Best Song nominees be written specifically for the films in which they're featured has remained unchanged since 1934. ''The music branch of the Academy is the most religious about making sure rules apply to what's going on in the industry. There are changes every year, but it's still Best Original Song,'' says Pavlik. ''I wouldn't expect any changes on that line.''
(Posted:12/20/01) 資料來源為Entertainment Weekly's EW.com
其實在羅蜜歐與茱麗葉中並沒使用，只是奧斯卡的規定是必須為「原創」，come what may在紅磨坊使用等於是第二手，所以無法提名入圍。

Well done, fairy兄!
昨天看完提名典禮有股衝動要回去找那則新聞
結果沒有找到
沒想到先被您po上來了!
給您大大地鼓掌三大響!

最好包個紅包給我，更棒！
這個新聞當初有看過，這次看到你提出來，今天要去找時，才發現忘了是從那個網站看到的，所以花了點時間去找。